The Asian American Avant-Garde : Universalist Aspirations in Modernist Literature and Art
Audrey Wu Clark
The Asian American Avant-Garde is the first book-length study that conceptualizes a long-neglected canon of early Asian American literature and art.
Audrey Wu Clark traces a genealogy of these writers and artists of Asian descent who strategically performed counter-universalism in short fiction, poetry, novels, and art in the United States, between the years 1882 and 1945. Responding to their contemporary period of Asian exclusion, they challenged the empirical failures of American democracy to envision a genuine, egalitarian universalism that still has yet to come.
Believing in the promise of an inclusive America, these avant-gardists critiqued racism as well as institutionalized art. Clark examines racial outsiders including Isamu Noguchi, Dong Kingman and Yun Gee to show how they engaged with modernist ideas, particularly cubism. She draws comparisons between writers such as Sui Sin Far and Carlos Bulosan with modernist luminaries like Stein, Eliot, Pound, and Proust.
Acknowledging the anachronism of the term “Asian American” with respect to these avant-gardists, Clark attempts to reconstruct it. The Asian American Avant-Garde explores the ways in which these artists and writers responded to their racialization and the Orientalism that took place in modernist writing.